Rose’s songs have been going around in my head lately, as well as on my DVD player, because she recently hired me to get her songs online so people could buy them digitally.
I was delighted to be asked, as I’ve known Rose since the 1990s and even played a little accordion on her Winter Rose album. Cathy Porter, a consummate musician who did most of the Trio’s arranging and has gone on to be a sought-after side performer with some of Nova Scotia’s biggest stars, also enhanced the sound of bands I was in back then – much smaller stars in the firmament, I assure you.
Their music was part of my life in the years after I returned to Nova Scotia and before I had my family. They’re lovely human beings whom I feel privileged to know.
Each of Rose’s songs paints a story. The music is gentle and melodic, and the lyrics thoughtful and introspective. I can’t claim to be objective because of the nostalgia factor, but I’m truly enjoying listening to the albums again.
An iconic sight in the waters of Mahone Bay and beyond, Dorotheahas taken hundreds of young people on maritime sailing adventures as part of the Nova Scotia Sea School.
It’s the kind of intense, group adventure that teenagers crave and need for their development, and that schools don’t usually provide.
Lives have been changed.
Dorothea needs an overhaul. Compare the $30,000 they’re looking for to the cost of rebuilding Bluenose II! Small projects like this are very satisfying to support as they can have a huge positive impact on individual lives.
Watch the video to find out what Dorothea has done.
So Nova Scotia’s ships have finally come in with the announcement that the federal contract for combat ships, worth $25 billion over 30 years, has been awarded to Irving Shipbuilding in Halifax over a Vancouver yard, which received an $8 contract for non-combat ships, and the Davie shipyard in Lévis, Quebec, which lost out.
It’s fantastic news for Nova Scotians. Kudos to the federal government for the impartial procurement process, and to Irving Shipbuilding as well as Premier Darrell Dexter and other proposal partners for their successful bid.
The news story leaves me with a couple of questions.
Why did the feds make such a big deal about the impartial, non-political procurement process? And why did Irving Shipbuilding and the Nova Scotia government spend $1.4 million on their public relations campaign, Ships Start Here, even though it would have no direct influence on whether Halifax got the contract?
I don’t usually comment on political issues in this blog, but the answers I’ve come up with explain a lot about Nova Scotia and its relationship to the rest of Canada.
The federal government and the Navy have solid business reasons for wanting to choose the best shipyard for the job. You’d think that would go without saying, but it’s not always how things work in Canada.
In 1986, during the Mulroney era, a large team of technical experts recommended that an aircraft maintenance contract for CF-18 fighter jets go to Bristol Aerospace of Winnipeg on account of their superior technology and lower bid. Instead, the contract was awarded to Canadair of Montreal.
As well as a poor business decision, the turnaround was a bad political decision. It contributed greatly to widespread disaffection with Canada in the west, the founding of the Reform Party and the demise of the federal Progressive Conservatives.
Prime Minister Stephen Harper and Defence Minister Peter MacKay lived this history and don’t want to repeat it, I’m sure.
Then there was the submarine maintenance contract, by which the crippled second-hand subs Canada bought to Halifax from Britain (with loss of life) were shipped at great expense to a BC yard with no experience in submarines.
No shipyard in the country is currently equipped build the state-of-the-art ships that the Navy wants for the future. Canada will be investing in the capacity of the chosen shipyards. Over the years, this type of federal government investment has contributed greatly to Ontario and Quebec’s prosperity, leaving provinces like Nova Scotia in the dust.
No amount of equalization payments can compensate for the resulting discrepancy in industrial capacity and general prosperity. However, Nova Scotia simply does not have enough seats in Parliament to matter when big federal contracts are assigned to meet political goals. And notwithstanding, Nova Scotia does not have to be seduced with such contracts to remain part of Canada.
It must have been obvious to everyone – from anyone involved in the shipbuilding industry, to the Navy, to civil servants and politicians – that Halifax Shipyards were “the only guys left standing with a full-fledged, functioning shipyard in the country.” to quote the Chronicle Herald’s Marilla Stephenson. Shipbuilding is in Nova Scotia’s very bones, and symbolized by the image of Bluenose on the Canadian dime.
So why was there so much publicity about the process?
Because the big contract could not be awarded to Nova Scotia without making a big deal about it being a fair, impartial, non-political process.
The Conservatives with their new majority could afford to do the right thing – at least now at the beginning of their mandate. The political fallout is concentrated in Québec, but that’s not Harper’s problem. And it’s mostly going on in French. As far as the federal Conservatives are concerned, the NDP can deal with it.
So if Irving and Nova Scotia’s Ships Start Here campaign did not influence the results, as Defence Minister Peter MacKay so generously pointed out, what did the $1.4 million spent on the campaign accomplish?
I haven’t discussed this issue with anyone in the know (please feel free to comment if you have anything to add), but this is how I see it:
1. Most importantly, without directly influencing the results, the campaign held the feds publicly accountable for keeping the process honest, now and for the length of the contract. Again, this was done with the certain knowledge that Halifax was the best qualified shipyard and would win one of the two contracts available as long as the awards were made fairly. No doubt the memory of the CF-18 maintenance debacle was vivid. This indirect influence was something like insurance.
2. The Ships Start Here campaign let Nova Scotians know that something big was afoot so they would take the news to heart when the time came. It fostered a positive, can-do attitude among Nova Scotians that can only be good for the local economy. Optimism in a time of recession is a powerful thing. The campaign website is full of stories of how the award will impact ordinary people.
3. The campaign attempted to mitigate potential criticism of the award by pointing out that because of subcontracts, the Halifax bid would in fact spread the money across the country more evenly than would any other bid. The website makes such information readily available for media and commentators.
4. Recruitment is be one of the challenges to be met. The campaign served notice to skilled workers across the country that there would soon be jobs for them in Halifax. Many Nova Scotians working away will be able to return home and work here for the rest of their careers. Housing developers, health care managers and other sectors of the local economy are also taking the hint.
5. And of course, as cynics are quick to point out, it raised the profile of NDP Premier Darrell Dexter – and what politician wouldn’t enjoy that? I have no doubt that he personally paid close attention to this file. With his history as a naval officer and the son of a sheet metal worker, seeing this contract awarded to Halifax must be very dear to his heart.
Winning this contract is a bigger deal to Nova Scotia than it would have been to larger centres. It builds on the province’s traditional strengths, and will allow many homesick Maritimers to return home for well-paying jobs. The boost to the overall economy will be palpable. When I hear negative news about the world economy, surely I’m not the only Nova Scotian who thinks hopefully: “Nova Scotia will be ok. We’re building ships.”
What did you think of the contract award process? How will the shipbuilding contract affect you?
(Comments are moderated, so won’t appear immediately.)
Last week, we saw a wonderful production of Robin Hood by Shakespeare by the Sea. The company performs outdoors in Point Pleasant Park, unless it’s raining, in which case they have an indoor space available.
This year, the plays are staged at the Cambridge Battery, a set of ruined fortifications in the middle of the park. You couldn’t invent such a backdrop. At intermission, kids of all ages explored the set, if only to see the view of the Atlantic Ocean beyond.
We were treated to great hilarity, exciting swordfights, intriguing a capella harmonies, endearing characters (yes you, Sven), modern cultural references, a classic storyline with a contemporary twist, and a professional ensemble cast. I highly recommend Robin Hood for anyone age 4 and up.
Even if you are unaccompanied by a child, you will enjoy the play!
The company is also performing two Shakespeare plays this summer: A Comedy of Errors and Measure for Measure. We hope to see at least one of them in the next two weeks. Their season ends September 4. See their site for showtimes.
If you’ve seen any of their productions this year, feel free to leave a comment.
Strolling along the waterfront last Friday, we heard a cool jazz piano, accompanied by bass and drums, coming from the Festival Tent being set up on Lower Water St. at Salter St. extension. The place was crawling with volunteers adjusting banners and chairs, getting things ready for the show to start at 8 pm. They offered us a program, but, alas, we were on our way to see the Tattoo.
“What is it?” he kept asking before we went. “It’s … a show,” I said, inadequately.
It’s hard to describe the Tattoo; if you haven’t seen it, I’ll refer you to its own website, which says it is “the world’s largest indoor show…. featuring over 2,000 world-class Canadian and international military and civilian performers … a fast-paced, two-and-a-half hour family show featuring music, dance, acrobatics, drama and comedy in a number of innovative acts.”
Originally modeled on the Edinburgh Tattoo in Scotland, the Nova Scotia Tattoo was first staged in 1979 and featured primarily military acts.
Over the years, many civilian acts have been added, including guest performers from all over the world.
In common with the military marching bands and demonstrations of physical prowess, virtually all the acts involved precision teamwork.
We saw a fabulous precision roller skating team from Estonia, the French Guarde Républicaine motorcycle ballet, a German gym wheel team, and of course, Scottish Highland Dancers from Nova Scotia and from Australia. The latter group mixed the traditional strict forms of Highland Dance with tribal rhythms and modern innovations, which I found intriguing, having grown up partly in Antigonish where many kids took Highland Dance lessons.
The highest level of millisecond exactness was displayed by an all-female New Zealand drill team.
The loosest group was the Danish gymnastic troupe Talentholdet whose playful exuberance contrasted refreshingly with the strict discipline of the other acts while performing jaw-dropping feats of tumbling.
Even the tightest military bands had their comic routines to keep us entertained.
Musically, it was impressive that the many brass bands, the bagpipe bands, the choir and the soloists, spread across the width of the Metro Centre, could play in ensemble (almost all the time) – another testament to discipline and talent. Quite the sound!
Notably most of the civilian performers were female – dance troupes in particular, and while there were many women in the military bands, you had to look closely to distinguish them in their uniforms.
The show has a strong vein of patriotism and support for the troops, in their current mission of training the Afghan army now that Canada’s combat role has ended. Included in the honours are police, firefighters, emergency medical services and other first responders who “serve and protect”.
Altogether, the Tattoo is a huge community effort supported by many volunteers. The audience contained people from every province in Canada and many from the USA.
It’s a show that just about everyone should experience at least once.